Muzyka Dworów Europejskich

Anglia

Wystąpią:

• Elin Manahan Thomas – sopran
• James Oxley - tenor
• Mark Caudle – wiolonczela, viola da gamba
• Lilianna Stawarz – klawesyn

Program koncertu:

• Henry Lawes (1596-1662) – nadworny kompozytor Karola I “A Dialogue twixt Time and a Pilgrime” for soprano and tenor
• John Wilson (1595-1674) “Take O Take Those Lips Away” for tenor Richard Dering (1580-1630) “O Crux ave spes unica” for soprano and tenor “O Donna Troppo Cruda” for soprano and tenor
• George Jeffreys (1610-1685) “Cruel, but once again” for soprano Alfonso Ferrabosco (1572/78-1628) Cutting’s Galliard Bass Viol and Harpsichord
• William Lawes (1602-1645) “Why so pale and wan, fond lover?” for tenor
• Henry Lawes (1596-1662) Dialogue: “This Mossy Bank they prest” for soprano and tenor “Sleep soft, you cold clay cinders” for soprano
• Corkine William (II poł. XVI w.-I poł. XVII w.) Music for Lyra Viol
• Henry Lawes (1596-1662) “Speak, speak at last reply” “Dialogue on a Kiss” for soprano and tenor
• Mary, Lady Dering (1629-1704) “A false design to be cruel” for soprano
• William Lawes (1602-1645) Music for Lyra Viol
• William Lawes (1602-1645) “Let God, the God of Battell rise” for soprano and tenor Pieces from Elizabeth Rodgers’ virginal book: The King’s Complaint Prince Rupert’s March What if the King should come to the city Sir Thomas Fairfax’s March Prince Rupert’s retreat When the King

• Locke Matthew (1622-1677) “O Domine Jesu Christe” for soprano and tenor John Wilson (1595-1674) An Elegie to William Lawes for soprano and tenor

• Locke Matthew (1622-1677) Almand for bass viol

• Pelham Humfrey (1647-1674) “A Hymn to God the Father” for tenor
• Purcell Henry (1679-1752) “She loves and she confesses too” for tenor “Bess of Bedlam” for soprano “What hope for us now he is gone?” for soprano and tenor
• Castrucci Pietro (1679-1752) Sonata for Viol
• Haendel Georg Friedrich (1685-1759) “Stand round my brave boys” for tenor Polish Minuet: “Charming is your shape and air” for soprano Suite in d minore HWV 428 ( Prélude, Allegro, Allemande, Courante, Air, Double 1-5, Presto) “Bacchus, God of mortal pleasure” for soprano and tenor